The Hungry Earth
( My commonts on `The Hungry Earth`)
‘Hungry Earth’ is a multifaceted play. For that reason it is not determine precisely what it is and how to approach it. All black South Africans had been personally affected discriminatory practice of the apartheid system. Maponya’s play shows the hallmarks of the black consciousness movement in a number of ways. The hungry earth under went numerous metamorphoses before being presented in the form in which it would eventually be published in 1980.
Hungry Earth emphasis on a non naturalistic performance style. This play mainly focuses on social, economic, cultural effects of South Africans labour system in 1970’s . Black people were given cheap labour power for various industries . The Hungry Earth explores several issues using episodic structure. Episodic structure is very useful to present the problem faced by black people. They faces several problem in mines, Train, Plantation etc., The play justify the industrial exploitation. Prologue itself gave some picture about the society existed in 1970’s. Gumboot dance was used to express black man’s feelings to others, they were not allowed to speak to one another.
Racial discrimination is the main theme in this play. Ordinary black south African people were faced several problem in their work place. They were tortured by white people. The play ‘Hungry Earth’ moves through six episode. Ie, the hostal, the plantation , the train, the mine and two episode of compound.
Four characters place a prominent role in this play. Their dialogues represents colonial, exploitation, nationalism in Africa and anti- colonial struggle. Most powerful lines in this play is ;
Mother Afrika wake up
And arm yourself
Wipe the tears of your brave
Mother Afrika wake up
Lest umlungu rapes you
Lest umlungu rapes you
These lines represents black people thirst to become liberate their country in the hands of white. In the second episode, the plantation, 13 years old children were working in a plantation. A visitor came and asked the details of time of their work ( 5am to 3pm) and the wages they got ( 50c). Through the questioning of a visitor we got an idea about exploitation in labour. Actually visitor is writer in this play, his main intention is to explore the pathetic condition of black people existed in South Africa .
In the third episode , the train, black people were arrested for petty cases. White man were spectatory and black are only victims. Sethotho a character in the play, commented the situation existed in his country while he was talking to Beshwane
Sethotho : “Hey , my father lived in the city of Gold and he told me there are so many crimes against the law of the white man of which black people might unwittingly be guilty”
At the end of this episode Usiviko described the incident happended in Train. “Most of black people were requested to produce passes and permits. Those who failed to produce spent two weeks in jail and were deported to their respective homes on their release. This is the in human and unjust procedure to endorse the unjust laws that make another a stranger in the land of his birth and rob him of his freedom to move wherever he wants. Is freedom not the law of nature? Then what?”
No blackmen lived in South Africa can say the answer of this question.
Fourth episode, the mine , lot of black men died in mine at Carleton ville. The title of this play came from the words of Matchoko in fourth scene.
“I looked back into the tunnel
Where my brothers were being
Eaten by this hungry earth”
This play focuses the non – violence movement against the white people dominance. Usviko’s words proves this.
“We are not violent people. And this is a peaceful demonstration. Come everybody..”
Five and six episode described the Gumboot dance of black people. Tourist were coming to see Gumboot dance. All were wanted to see and enjoy Gumboot dance. They were not anxious about the sufferings of black people. At the end of this play a women, named Chirago appeared and explored her sufferings.
The Hungry Earth used Zulu in some of its songs and dialogue as an affirmation of black south African’s cultural heritage. This tactic must have had a powerful resonance at a time when the country’s two official languages were English and Africans, and zulu was banned in educational contexts. As a part of culture the play also incorporates a ‘traditional Gumboot dance’, it was the only way of communication between black workers who were not allowed to speak to one another.
This is a detailed post outlining the various aspects of the play. Here are some suggestions for improvement:
ReplyDelete1. Pay attention to grammar and language, sometimes sentences do not make sense. Read your blog at least once before posting it online.
2. Rather than outline all the episodes in the play you can focus on one or two and discuss them in detail. This will allow your own opinion to emerge more clearly.
3. Does this play echo some other drama you have read that can also be called postcolonial?
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